"You may delay, but time will not, and lost time is never found again."
– Benjamin FranklinBarriers
Volume Excess Surfeit Abundance
Fragility
Alleviations
Curation
Durability Antrifragility Permanence Fixity
365 WAYS TO DESTROY A PHOTOGRAPH
Artist: Anonymous
Year: 2014
Description: "Beginning on July 25th, 2014, one photograph will be destroyed each day for a period of one year. The remnants of every photograph will be collected, documented, saved, and exhibited at the conclusion of the year." Although the project appears to have been abandoned on day 72.
Relevance: This systematic destruction of physical photographs reveals what remains after deliberate destruction. To me, destroying digital photographic data seems like it would more finite – data you've handed over to someone or something else is a different story.
Artist: Stephen Gill
Year: 2006
Description: Stephen Gill created a photobook of pictures buried where they were taken."The amount of time the images were left underground varied depending on the amount of rainfall. The depths that the pictures were buried at also varied, as did their positioning. Sometimes they were facing each other, sometimes back to back or sometimes buried singly... Not knowing what an image would look like once it was dug up introduced an element of chance and surprise which I found appealing. This feeling of letting go and in a way collaborating with place — allowing it also to work on putting the finishing touches to a picture — felt fair. Maybe the spirit of the place can also make its mark."
Significance: The artist has introduced an element of chance, of manufactured wabi-sabi to his work. It is not the first time photographs have been buried...

Context: The alternative to preserving photographs, is to lose them. What does a book of lost photographs look like?
Aim: To visually represent the absence of lost photographs.
Precedent: Will Steacy's Photographs Not Taken (book cover pictured above), perhaps the only photography book I’ve bought that is entirely devoid of photographs, is "a collection of photographers' essays about failed attempts to make a picture…These mental negatives depict the unedited world and the moments of life that do not exist in a single frame." In a different vein, I have also previously created a photobook devoid of photographs, 2nd’s, after I discovering a dusty box of slides marked 2nd’s. Inside this box I found empty slide mounts along with what appeared to be accidentally mounted frames from the end of rolls of film, partially exposed, partly blank, yet curiously interesting.
Method: I began by thinking about my own experiences with lost photographs, in particul...
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“If there are photos you really care about, print them out,” internet pioneer Vint Cerf once told The Guardian, “we are nonchalantly throwing all of our data into what could become an information black hole without realising it. We digitise things because we think we will preserve them, but what we don’t understand is that unless we take other steps, those digital versions may not be any better, and may even be worse, than the artefacts that we digitised, if there are photos you really care about, print them out.”
His words echo and validate my own sentiment over the past few years.
The digital universe is a scary, albeit brilliant, place.
Post Script — I feel a book of black holes opening up...
Let me begin by saying, the cloud is not actually a cloud, nor is it in a cloud — shocking, I know!
You’re probably wondering where it is then, well, it is right here on earth, so more of a fog, really — a mass of data storage near the earth’s surface. This fog hovers in data centres (which I understand to basically be buildings filled with hard drives), and there are hundreds, maybe thousands, of data centres around the world.
While I was wondering where photographs stored in the cloud really are, I started marking data centre locations on a map, until I quickly began running out of room, but I think you get the picture — your pictures could be almost anywhere on earth (but as far as I can see, probably not Antarctica)!
For a more expert, yet accessible, understanding you could read Cloud Computing by Nayan Ruparelia. And, from now on, let us be sure to think of the cloud as a physical storage location, not simply a dreamy, untouchable haven.

INSTAGRAM IS NOT A BACKUP SERVICE
Instagram has over 800 million accounts globally — I wonder how many of those users read the Terms of Use before proceeding:
“Instagram encourages you to maintain your own backup of your Content. In other words, Instagram is not a backup service and you agree that you will not rely on the Service for the purposes of Content backup or storage. Instagram will not be liable to you for any modification, suspension, or discontinuation of the Services, or the loss of any Content.”
Where else is your Instagram content stored? Also, when was the last time you read the terms and conditions of any online service before accepting them?